Ngulmiya feat. Pau Figueres - NAFA 2026 - Sept 27th

One of the most moving and memorable musical experiences of NAFA 2026 came from Ngulmiya, the acclaimed Yolŋu singer-songwriter from the Aboriginal community of Numbulwar on the south-eastern coast of Arnhem Land. In a festival filled with impressive performances, this concert stood apart for its authenticity, emotional depth, and extraordinary musicianship.

From the opening moments, Ngulmiya's pure and powerful voice commanded attention. His songs drew on themes of death, spirituality, family, and the enduring connection between people, country, and water. More than a singer, Ngulmiya is a storyteller, sharing culture, memory, and lived experience through music that feels both deeply personal and universally resonant.

Songs such as Guwaag (Rain Bird), Ayanjanarri (Water), and Ma-Lhiyn (Aeroplane) painted vivid sonic pictures. Whether reflecting on the natural world or the ties that bind generations together, each song carried a sense of place and purpose. Even for audience members unfamiliar with the language, the emotional intent was unmistakable.

A particular highlight was the collaboration between Ngulmiya and his son, Nayurryurr. Their voices blended in beautiful harmonies that were at once gentle and arresting. There was something profoundly moving about watching father and son share the stage, their complementary vocals creating moments of remarkable intimacy. Nayurryurr's didgeridoo playing added another rich layer to the performance, grounding the songs in a deep rhythmic pulse and extending the connection between tradition and contemporary expression.

Equally impressive was the contribution of renowned Catalan guitarist Pau Figueres. Known internationally for his innovative and expressive playing, Figueres collaborated with Ngulmiya on the 2025 album Catalunya, and the musical chemistry between the artists was evident throughout the concert. His magnificent guitar work created rich and evocative landscapes around every song, weaving intricate melodies and textures that perfectly complemented Ngulmiya's vocals. At times delicate and reflective, at others soaring and dramatic, Figueres' playing added depth without ever overshadowing the stories at the heart of the music.

The audience response at the conclusion was overwhelming. A lengthy and enthusiastic ovation reflected not only appreciation for the musicianship on display but also gratitude for having shared in something genuinely special. This was more than a concert; it was a cultural exchange, a family story, and a powerful reminder of music's ability to connect people across languages, generations, and continents.